Self-Publishing: Another Publishing Option in the 21st Century

Photo: Claudia Zurc. February 3, 2019

After grueling weeks, months, even years of writing your book, you’re ready to share it with the world. But, where do you go to have it published? Who do you contact? Should you publish the traditional way or self-publish? These and a myriad of other questions regarding the future of your book may keep you up at night.

A great number of new authors would rather get published with big-name houses; however, publishing houses are swamped with manuscripts every day. Let’s face it; they’ll just consider those who merit being published―the next J.K. Rowling or Stephen King― in other words, those who’ll bring readership and big money.

As a new author, you have to ask yourself (and be honest!), am I seeking recognition, am I doing it for the money, or both?

Everyone has different motives for writing, but whatever the reason, you still have to do the legwork.

• Have your book edited by a professional
• Research all publishing houses in your genre
• Edit once again (you don’t want to send a slapdash copy)
• If you get some rejections, do not take it personally; it’s part of the process
• Consider revising your manuscript as it may be lacking some elements that are not appealing to publishers
• If anything fails, go the self-publishing route
• Do not give up!

Being self-published does not mean that you can slack. On the contrary, you have to work twice as hard. You have to be involved from beginning to end. Moreover, you cannot sell yourself short. Self-publishing does not mean you’re less commendable as an author. You can see it as another option to get your book out and in the hands of your audience while waiting to get discovered by a big house. Even better, you can see self-publishing as getting acquainted with the industry while paving the way for your second book.

Note: I wrote this article with the new author in mind. I am aware that established authors already work with a publishing house.

Book Publicity's Digital Decade

Today’s interview with Ms. Hajni Blasko, creator of Substance Books, was conducted by Samantha Rideout, Assistant Editor at Reader's Digest.

Hajni Blasko started the world's first online book publicity network, Substance Books, in February 2001. Ten years later, she remains a pioneer in this emerging field.

What exactly is online book publicity? What does it involve?


HB: Online book publicity is an umbrella term for various forms of book publicity that take place over the Internet, including social networking, search engine pay-per-click advertising, branded web sites, and link exchanges with other web sites and online press releases. I do a little bit of all these things, but what I am mostly about these days is marketing through search engine optimization and online exposure, because I believe it's the most cost-productive publicity technique when it comes to book sales.

For those of us who haven't heard of it, what does search engine marketing mean?

HB: It means making sure that your title appears within the top search results on Google and other major search engines. This way, your title shows up in the “organic” search results, not just the area where the paid advertising goes. After all, 93% of all web traffic passes through a search engine, so if you want people who don't already know about your book to discover it; this is the way to go. The key to good search engine marketing is finding the appropriate key phrases that allow book buyers searching for their favorite genres to find our titles.

The web and its users have evolved a lot over the past ten years. How has online book publicity changed?

HB: When I first started Substance Books, online book publicity was unheard of, so I didn't have any similar companies to model myself on. In fact, I didn't even know what professional title to give myself — I thought of “online book publicist” one day in the bath. I learned by trying different things and seeing what worked. I started off by featuring the authors together in one website, to give them more publicity power than they would each have individually. Over time, this website got a lot of visits, which made it crawl up higher on search engine results. Eventually, I figured out how to get even better search engine results using SEO techniques. There are a few more online book publicists out there now, but I think I'm the only one who offers search engine marketing along with other services.

How will you be celebrating the 10th anniversary of Substance Books?

HB: I'm offering a $20 listing fee discount to any new clients who are members of our Facebook page. http://www.Facebook.com/bookpublicity

Social networking is very “in.” How can authors and publishers use it to their advantage? 


HB: Authors can use Twitter and Facebook to brand themselves, meet other authors and disseminate information about book signings and the like. But I need to emphasize that it's one tool among many for gaining online exposure for your title. It might be fun to spend 20 hours a week on Facebook, but if you want a return in the form of book sales you must spend your time intelligently. Facebook is working hard on improving its own search-engine usability and capabilities, so it is extremely important to know how to manage your Facebook collateral. For this very reason we are offering free customized Facebook pages to our authors, designed to bring the right book to the right audience.

What should a book's website or Facebook page look like?
HB: I believe that all authors and publishers should have a website which is search engine optimized and up to industry standards. Amateurish websites and bare-bones Facebook pages are no longer good enough; the online competition is too stiff. Applets, RSS feeds and iphrames are basic components of a professional Facebook page. This is why Substance Books has also been offering website design and makeover services for the past five years. If you have a mystery thriller, your website should be as good as Dan Brown's, because that's your online competition.

How does online book publicity fit in with more traditional kinds of book publicity? Do you see it replacing book fairs and so on? 


HB: No; I think there will always be a place for traditional exposure to readers and the press, even though online publicity is becoming more and more important. Ideally, the two forms of publicity would create a synergy together. That's why I participate in BookExpo America every year and look forward to the London Book Fair next year.

Do you have any final advice for authors and publishers who are interested in online publicity? 


HB: Just that they should focus on their main objectives. For example, if your objective is sales, then targeting the readers who love the book's genre is probably going to sell more books than scattering ads for your book all over the Internet. And a few loyal readers are worth more than a whole lot of one-time visitors to your website or your distributor. It's not so much about the quantity of exposure you get; it's about the substance of the exposure.

For more information contact: Hajni Blasko at: publicist@substancebooks.com